Tag: abuja

Meet: Arit Okpo

Arit Okpo is one of Africa’s fastest rising media personalities. She takes risks and sheds light on issues that are mostly ignored in Nigeria. Unafraid to express herself, Arit is definitely worth meeting. Enjoy.

Arit-Okpo

 

– Who is Arit Okpo?

Career wise, Arit is a media entrepreneur. I provide media services ranging from production, event hosting, voice overs to writing for a wide variety of contexts and formats. Personally, Arit is a traveler, walking through life and building a life brighter and more colourful than I have ever dreamed

 

– How would you say your early life has shaped you?

I grew up with a mother who did everything doable. She was an extremely hard worker and from an early age, I learned that hard work wasn’t something to run away from or be afraid of. I was also a very imaginative child, and I think that this freedom to lose myself in my imagination has carried over to a life in the media and as a writer

 

– What’s one of your most memorable experiences from childhood?

Gosh I have so many…hmmm…ok, my nursery school featured in one of those NTA exchange programs. I got to present an episode for NTA IMO, wearing traditional gear. It’s funny that over 2 decades later, I ended up doing it as a career

–  Take us on a brief journey through your professional life

Hmmm, where do I start? Ok, I started my professional career as the assistant to a school owner, in about 6 months, she promoted me to assistant administrator. I left after a couple of years and moved to Lagos where I worked as an artiste manager for a while. Back to Abuja, I did some work in PR, Production and then back to education. It was during my second stint in Education that the opportunity at Ebonylife came about

– *  From working at Tender years to producing for Ebonylife TV, how did this happen and why?

Ok, I had been working at Ebonylife for a year or so when I started to feel that I wanted to explore my horizons further. I sat down and wrote a 25 year plan, starting with registering my educational consultancy and ending with me as Minister of Education (no jokes!) 2 months after that, I got a call from Mo Abudu. She had remembered me from The Debaters (a reality show that she executive produced) and wanted me to come host a news show on the Channel. I quietly folded up my life plan, threw a side eye to Heaven and took the job

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– We have been major fans of EL Reports and the Crunch, please share what your aims were for both shows.

For both shows, the aim was to make news a conversation that the everyday person could relate to. We end up in a lot of bad situations as citizens because we don’t know what is going on in the country or we don’t think that we need to know or care. I wanted to make news mainstream. I wanted to raise topics and have people say “Oh wow, I didn’t know that was happening”. And I wanted to do it in easily digestible fashion, so that people didn’t get overwhelmed. I think I succeeded

– In an ever changing entertainment industry, what would you say are the challenges faced by creatives in Nigeria?

Creatives need to learn the business of their craft. So many creatives don’t understand the market value of their work, and this is fine if you don’t need your craft to feed you. But if you expect a career from your craft, you must learn the naira and kobo of it. Many creatives in Nigeria keep getting cheated and eventually disillusioned, because they get into business partnerships with people who aren’t looking out for their interests. I think we also operate in a culture that doesn’t really understand the value of a creative in an enterprise, so we are often unappreciated or under-represented

– Quality Content is King yet it is struggling to see the light of day , what are your views on this?

I think that Quality Control is an evolving process and it is happening little by little. The viewer is becoming more discerning and so the industry must evolve to meet that. We also cannot get lazy with the fact that the public doesn’t know better. Even if people don’t know that they should expect better, the industry needs to constantly raise its standards to compete with the best around the world

– What are your interests and given the opportunity, what issues would like to address within your industry?

My interests are the media as a platform, not as an end in itself. I’m not interested in being on TV for publicity or popularity sake. I want to be able to utilize the media to talk about things that matter, to highlight underreported issues and to celebrate people flying under the radar.

– We noticed you’re natural and proud, have you always been and why?

I haven’t o! I have beautiful permed hair for a long time, then hair damage and general peer pressure made me contemplate the big C. After mulling over it for a year, I finally chopped off two thirds of the permed length, transitioned for 8 months and then chopped off the rest of the perm. It hasn’t always been an easy journey, I was sure I was going to perm it at the end of the 1st year. 2 and a half years later though, we’re still here this hair and I

– If you could travel the world in a day, where would you go first?

Ah…maybe to Oron, to spend some time with my grandma. I miss her

– From producer’s perspective, what kind of content would you create to add value to the Nigerian society?

I love the Nigerian culture – its variety and fluidity. How we celebrate, where we come from, why we believe and do the things we do…these are the things I would love to share. Let’s go back to being crazy about our origins

– If you could have a soundtrack for where you are in your life right now, what would it be?

Unwritten – Natasha Beddingfield

 

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Meet: Xoxa Icha

Xoxa Icha is an artist in every sense of the word and she expresses herself through various mediums. From producing content for BBC to running her own art business, she is definitely a creative worth meeting. Enjoy

 

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  1. Who is Xoxa?

This question has such a strange effect on me. It sort of messes me up thinking of what to say. I never really know how to answer it…

If it’s ok to be honest, the truth is, I’m still getting to know who I am…I know what I am. Who I am, I guess if you don’t mind waiting it out with me, we would find out together. Let’s hope the rest of the interview helps us get a little closer to the answer.

 

  1. What was growing up like for you?

Growing up for me was good… no really good. The more people I meet, the more I know and appreciate the fact that growing up for me was really good. I know that now more than ever. Looking back, there are things that I think I may have wanted a bit differently, but overall, I know that all of it is a part of the me that is here now and I’m grateful. A good foundation isn’t common these days. I’m really privileged to have had one.

 

  1. What was your first creative outlet?

I guess it must have been seeing my parents, who are/ were both such creative people in different respects. My dad built a lot of the stuff in the house, it made home unique, I guess. The décor in our home was reflective of their creativity. Old photos tell the tales but I can remember a lot of it.  So yeah…my parents were the first open window to creativity. I started out tracing pictures through transparent paper and colouring them in. I went from there to copying pictures that I was interested in. I drew cartoon characters and things from story books. Drawing from inside my head (as I used to call it) was tough…for a while. I could never really let it out.

Then art classes, art clubs and excursions…and time came along to help.

 

  1. What do you do and why?

I make art. Many kinds of art. Mostly impossible art. My expression has been called that before…’impossible’. I do it because I can’t help it! It consumes me from the inside out. People pay me for what that consumption produces. The money is good…very good. I mean I live in the capital city! But it’s about so much more than getting paid. Those lines I draw…in the colours I choose, those are parts of me I give out and no stated amount can afford that.

 

 

  1. Asah-Bara, BBC… the juggling game.

This is one of those things that I can write a book about. Working at the BBC, depending on which side of the coin you are on, is demanding to say the least. Working in production in the way that the BBC does it is not at all for the faint hearted. It’s been an almost 9-year long journey. Inside, there’s been a knowing that this won’t be my forever. I guess knowing and understanding clearly what my dream is has done a lot to help me juggle all those very heavy balls. An average day would be me working from 9 till well past 5 at The BBC, coming home changing clothes and getting straight to work on my art. Sometimes, it would mean finishing up as quickly as I could at the office to come home and work on my art- work all night and be at work when the sun comes up. I would be at bazaars on the weekends and back in the office on Monday delivering excellent content [and I’m not just saying].

I’ve been accused of working too hard and not having time for fun. When I look at what their readily available definitions of fun are, I choose over all that the success I am steadily becoming.

Turning out art in different forms, both for the BBC and for Asah-Bara has done so much to show me my deep-rooted strength as a woman and has gone a long way in building my spirit.

There A little while ago, I would have had to politely pass this question as my contract with the BBC would have made it difficult to answer considering that it would be a published interview.

After nearly 9 years of working with the BBC, I was glad to resign my job in December of 2016. I’m looking forward to the challenge of new journey of building my dreams with these two hands…literally.

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  1. What Birthed Asah-Bara and what does the name mean?

I get this all the time. It usually follows a series of questions targeted at my colourful background and where it is that I come from. The name I was given sort of seems to scream south African. I won’t lie, that has helped a bit in some situations. Ok. Focus…dot deviate. ‘Asah’ and ‘Bara’ are two separate words. They are both ancient Hebrew words. They both mean ‘to -make’ but in two different contexts. ‘Asah’ is the ancient Hebrew word for the creative power of man. That is, the ability to make things from what God has provided. ‘Bara’ is the ancient Hebrew word for the creative power of God the Father, the master Creator. That is, His ability to create from nothing. He says ‘be’ and it becomes. That is ‘Bara’. My love for ancient Hebrew drew me to seek and find these words and exactly what they meant. Putting them together made perfect sense to me because as far as I am concerned, that is what design is! The union between ideas [ that only God can give] and the basic things He has made available to us to implement those ideas… that’s what births design! You can come up with the coolest idea [that’s The God factor in you at work] for a chair, for instance.  The chair needs to be made from something. Whatever that chair is to be built out of has its origins somewhere among the things that God gave us on Earth. So, I put the words together across a hyphen. There you have it: Asah-Bara!

I believe that this name is completely inspired by the Holy Spirit [ I’m a born again Christian and I stand unashamed].

The journey to this name and how it came is gist for another day.

 

  1. What are your biggest challenges as an entrepreneur and tackling them…

In a country like Nigeria, where basically nothing but your spirit works…di challenge plenty! Yes please…read it in pigin. I believe in quality, but Nigeria and the general Nigerian mindset is so abused that even bad work looks acceptable. When it comes to me doing my craft, no questions there. The wahalla starts when other people get involved and you need to manage poor work ethic, no respect for deadlines…bad work and having to hear that I can ‘manage it’. The strength to tackle it comes from knowing where I am going and being determined to stand out of the overwhelming crowd. Coming down to the general mediocre level of work service in Nigeria is not an option. I would rather quit. If I’m doing it, it must be done excellently well…and believe me, I’m doing it! That’s the Spirit of God at work in me. I can’t take the credit.

 

  1. What are the greatest lessons in life from your personal experiences over the years?

-The world will challenge everything you think you are. It takes a lot to be the original you in a world full of copies. […and they say cloning humans hasn’t worked yet. Story…]

– What makes you different, is what makes you beautiful

– Who you are on the inside matters more than anything else on the outside. You’re locked up with that person when everything/one else goes away and they all do.

– Don’t ever pretend, the real you must come out… eventually.

– Good friends…true friends are very hard to come by in this world

 

 

  1. Who is The most inspiring person in your life and in what way

Omo! abeg, make we leave dis one. I don talk taya and the questions wey remain still plenty! Lol.

 

  1. Which three people do you look up to in the creative industry….

I’ve been dreading answering this question considering that there really isn’t anyone doing what I am doing. I’m sorry to say it but I don’t really have a role model in the creative industry. We hardly have a solid creative industry as per hand-made work and visual art. Music and film yes, but visual art and true hand-made original work…naah. There are a few, but not enough to make an economic mark or a global mark. I’ve done a lot of research about creative industries and the impact they can have on a nation economically…believe me, we don’t really have a creative industry here…so role models, I haven’t found yet. O wait, Nike Davies Okundaye …She has my deepest respect.

 

  1. Ultimate goal in life…

*singing* I wanna be a millionaire, so freaking baaad’…

No, but seriously, [I still want to be a millionaire but…no wait, I’m already a millionaire! I need new aspirations!] I want to be a force that will drive the hand-made industry in this country. It’s a huge thing…some days it looks impossible, like this country is too hurt and too broken to bother about art when the basics are not even in place. I pray I have the strength and the grace to see it happen in my lifetime. I really want to see our culture and heritage restored to a place of everyday pride, not ceremonial entertainment.

Me black and white looking ip

 

  1. Top three things on my bucket list

 

I don’t have a bucket list…hmmm. I wonder why I don’t have a bucket list. Did I say that out loud? I don’t want to think up something for the sake of an answer, really don’t have a bucket list and I’m not sure why.

 

 

  1. The soundtrack for where I am in my life….

My mental play list is scrambling…I know literally thousands of songs… even music without words. This is too hard to dig through abeg. Forgive me if I pass. This is me passing. Ok. I have passed.

 

  1. Greatest achievement

I’m not sure it has happened yet. That’s why too many options are reeling through my head searching for an answer. An answer does come to mind though. It would probably not rank as an achievement in the eyes of the world [then again, it just might], but it was an achievement that in many ways keeps the wind in my sails and keeps my head lifted and shoulders back. I won a quiet war. It meant as much as it did 2 years ago when it happened as it means now. I know an appropriate opportunity to talk about it will come. I will be patient till then.

For the sake of not walking away from this question without a clear answer, I would say my greatest achievement was my first solo and maiden exhibition- ‘The Whispers of the Weave’ show. It totally sold out and had over 700 visitors over four days. It was the official launch of the Asah-Bara brand.

Untitled design

 

Banana Island Ghost

Banana Island Ghost

I’ll start by saying that Banana Island was a good attempt at a romantic comedy especially for a Nollywood movie. Sadly, it didn’t live up to a lot of expectations but managed to leave a good taste in our mouths nonetheless.

The visuals were a breath of fresh air and a lot of thought went into the aerial shots and angles that spoke of superb cinematography. The music by Nigerian artists definitely served as major highlights and helped fill in the blanks when necessary. Some of the songs that were definitely worth hearing again were Kale Ni by Ruby Gyang and Empty by Cobhams.

 

The movie’s flaws however were mostly as a result of empty dialogue and a story with more holes than a basket. This caused the Banana Island Ghost to have pacing issues and trivialized a lot of its highlights.download-22-

The film felt more like a collection of moments than a well thought out story and the inconsistencies and lack of buildup in the film caused it to fall flat in the wrong places.

That said, the Banana Island Ghost definitely scored an ‘A’ for effort and comedy with Akah Nnani sending us into peels of laughter and proving that all it takes is skill and commitment to pull off a memorable performance.

Character-Poster-Serge

Patrick Diabuah was a sight for sore eyes and even though the movie did him little justice he still managed to give a stellar performance. Unfortunately, Chigurl’s character came off a tad bit confusing due to the various accent changes and the insincerity of her emotions during the particularly emotional scenes. It felt like she was playing multiple characters instead of one but the huge let down for me was her singing, particularly because I’ve heard her do way better.

Saheed Balogun managed to hold his end quite well and Makeeda Moka the Naija Ninja didn’t do too badly either.

Though a mesh of highs and lows, Banana Island Ghost takes credit for being a good attempt at what could’ve been an outstanding film.

Rating: 2.5 out of 5

Listen to

Kale Ni by Ruby Gyang http://smarturl.it/RubyGyangKaleNi

Empty by Cobhams http://tooxclusive.com.ng/wp-content/uploads/2017/02/Cobhams_Asuquo_-_Empty_tooxclusive.com.ng.mp3

 

 

You are not entitled

You are not entitled

Dear Artist,

You are not entitled

You are not entitled to anything on the mere basis of talent. Your natural gifts do not afford you the pleasures of life without hardwork, passion and commitment, as well as a good attitude.

It’s sad to see how talented artists in Nigeria waste away because they lack one or all of these things.

Now let’s start by acknowledging a few things that serve as a point of justification and defense. Yes, we know that pursuing a career in the arts is tough and takes forever to pay, yes we know you need the money because times are hard and of course, it is understood that perfomers are not given their true worth but guess what; this happens everywhere in the world, movies have sold you gloss but the truth is, the struggle is real every where.

This doesn’t give you right of passage because you have it tough. Everything good in life comes with huge sacrifices that have to be paid. Those that excel are the ones that understand this, your gift is to be honed, shared and given freely before you can receive. Like a seed sown into the soil, you must wrestle with the sand to bloom like a flower.

Sadly, many an artist want to just become the flower without going through process. ‘Hian!’

If that were the case, everyone ought to have ‘hammered’ by now. But let’s not digress.

Talent is not enough, this can’t be overly emphasized . All talent gives you is a head start, you have to put in the work, go the extra mile to make something of it and succeed. If you claim to have passion for the talent God has freely given to you, then you have to have the discipline to train and hone it to perfection, the humility to learn from others and serve and the patience and commitment towards becoming the best version  of you.

No one can motivate you but you and the people you choose to look up to. Age is not a factor to consider when looking for a teacher or a mentor, experience and expertise is.

You must learn to maximize your strengths and daily grow and learn by outsourcing your weaknesses. Chei! Grammar!

Here’s what I mean: So you think you can dance right, baddest Naija lyrical hiphop dancer ever liveth etc etc but you suck at Naija styles and you know you need to learn. Pick the closest person to you with that skill, swallow a huge drop of humility and learn. Learn till you are as badass as your teacher or good enough to continue on your own. If you believe in value exchange, when you’re done learning, offer to teach your baddest hiphop too. Win, win for all.

Your attitude to work and opportunities determine how far you go as an artist. But first you need to have your priorities in check, if money is your inspiration then this isn’t particularly for you, but if your goal is artistry, mastering your craft, teaching it to people and creating a body of work exportable to any country in the world, then listen up.

You have to pay in time, service and your own funds to grow. Pay for training, volunteer to perform at platforms that will give you the kind of visibility you want and work with people who can move you forward.

READ! Artists seem to hate this word, not all but quite alot. You have to do research to grow, you can’t just rely on what you know. The internet is your friend but are you using it to your advantage?

Attitude. Every human being has an ego. Artists seem to blessed with robes of ego laced with pride and a crown of rudeness. *pauses for effect*

It’s the hard cold truth but we forget that these things do not help us and when displayed, only belittle us and what we have to offer.

People do not patronise pride, it doesn’t pay the bills and it is a bad investment but if that is what comes with your art then you will deprive yourself of greatness. The truth is a bitter pill to swallow but we must see it for what it is, the truth.

As artists we are too sensitive, too quick to take offence or be on the defensive. Too quick to judge but we hate criticism. Creating ‘beef’ that can feed a nation because you don’t want to be told what to do. Here’s my question, ‘ Who E EPP?’ At the end of the day, work is work and play is play, if you can’t tell the difference then, it’s your problem to deal with and nobody else’s.

On a lighter yet serious note, in order to be taken seriously in an industry of this nature, you must respect yourself and work ten times harder than anyone else. Throw your heart and soul into it, fight for what you love. It’s a harsh environment to live in, Nigeria that is, and it isn’t as conducive or structured enough for the arts industry yet but let that not become the excuse to do a sloppy job. Work your butt off and become the best, you may have been unappreciated and treated wrongly but never let it break you but build you.

Your response to your situation determines how far you go in life. So don’t give up, this art will pay if you put in the work and you will never regret pursuing your passion.

This comes from a place of truth, we would never grow without it

Yours,

An artist

The Adventures of Isys Drain: There is a Lunatic in every town

The Adventures of Isys Drain: There is a Lunatic in every town

There is a Lunatic in every town

I figured it would be kind of weird to write about something you are responsible for because you don’t get the chance to be an actual spectator but I guess despite the view I got, it was my adventure nonetheless.

‘There is A Lunatic in every town’ is a collection of poetry by my dear friend Bash Amuneni and is his first book. It is a book that appeals to the senses and brings to light the truth behind an average Nigerians state of mind, the socio political state of our country and the emotions we lay bare before one another. Each poem is like a piece of a puzzle and I was honoured to have read the manuscript and also plan the launch.

I had told Bash this event had to be different from what people were used to and as a spoken word artist he had to do justice to his craft. To my pleasure he gave me creative freedom and with each day, we worked hard to bring his book to life.

We hand picked some of the most talented people in Abuja to  take the stage and by the day of launch, amidst all the things running through my head, I was sure it would be a hit and it was.

From an array of poets doing pieces from the book to singers and instrumentalists birthing songs of the same name, the art that flowed was more than words could describe. When the words would not seize, dance took over and love was birthed in the piece called ‘These things you do to me’. As the end drew near, I was ecstatic and when it was my turn to sing I was happy and I let it rip. ( modesty would do a grave injustice to the show,lol)

At the end of it all, it was a success (despite the hitches). Books and tees were sold, contacts were shared, donations were made and I could breathe at last. The madness of the whole project proved that Bash was right, indeed ‘There is a Lunatic in every town’.