Tag: kaffy

You are not entitled

You are not entitled

Dear Artist,

You are not entitled

You are not entitled to anything on the mere basis of talent. Your natural gifts do not afford you the pleasures of life without hardwork, passion and commitment, as well as a good attitude.

It’s sad to see how talented artists in Nigeria waste away because they lack one or all of these things.

Now let’s start by acknowledging a few things that serve as a point of justification and defense. Yes, we know that pursuing a career in the arts is tough and takes forever to pay, yes we know you need the money because times are hard and of course, it is understood that perfomers are not given their true worth but guess what; this happens everywhere in the world, movies have sold you gloss but the truth is, the struggle is real every where.

This doesn’t give you right of passage because you have it tough. Everything good in life comes with huge sacrifices that have to be paid. Those that excel are the ones that understand this, your gift is to be honed, shared and given freely before you can receive. Like a seed sown into the soil, you must wrestle with the sand to bloom like a flower.

Sadly, many an artist want to just become the flower without going through process. ‘Hian!’

If that were the case, everyone ought to have ‘hammered’ by now. But let’s not digress.

Talent is not enough, this can’t be overly emphasized . All talent gives you is a head start, you have to put in the work, go the extra mile to make something of it and succeed. If you claim to have passion for the talent God has freely given to you, then you have to have the discipline to train and hone it to perfection, the humility to learn from others and serve and the patience and commitment towards becoming the best version  of you.

No one can motivate you but you and the people you choose to look up to. Age is not a factor to consider when looking for a teacher or a mentor, experience and expertise is.

You must learn to maximize your strengths and daily grow and learn by outsourcing your weaknesses. Chei! Grammar!

Here’s what I mean: So you think you can dance right, baddest Naija lyrical hiphop dancer ever liveth etc etc but you suck at Naija styles and you know you need to learn. Pick the closest person to you with that skill, swallow a huge drop of humility and learn. Learn till you are as badass as your teacher or good enough to continue on your own. If you believe in value exchange, when you’re done learning, offer to teach your baddest hiphop too. Win, win for all.

Your attitude to work and opportunities determine how far you go as an artist. But first you need to have your priorities in check, if money is your inspiration then this isn’t particularly for you, but if your goal is artistry, mastering your craft, teaching it to people and creating a body of work exportable to any country in the world, then listen up.

You have to pay in time, service and your own funds to grow. Pay for training, volunteer to perform at platforms that will give you the kind of visibility you want and work with people who can move you forward.

READ! Artists seem to hate this word, not all but quite alot. You have to do research to grow, you can’t just rely on what you know. The internet is your friend but are you using it to your advantage?

Attitude. Every human being has an ego. Artists seem to blessed with robes of ego laced with pride and a crown of rudeness. *pauses for effect*

It’s the hard cold truth but we forget that these things do not help us and when displayed, only belittle us and what we have to offer.

People do not patronise pride, it doesn’t pay the bills and it is a bad investment but if that is what comes with your art then you will deprive yourself of greatness. The truth is a bitter pill to swallow but we must see it for what it is, the truth.

As artists we are too sensitive, too quick to take offence or be on the defensive. Too quick to judge but we hate criticism. Creating ‘beef’ that can feed a nation because you don’t want to be told what to do. Here’s my question, ‘ Who E EPP?’ At the end of the day, work is work and play is play, if you can’t tell the difference then, it’s your problem to deal with and nobody else’s.

On a lighter yet serious note, in order to be taken seriously in an industry of this nature, you must respect yourself and work ten times harder than anyone else. Throw your heart and soul into it, fight for what you love. It’s a harsh environment to live in, Nigeria that is, and it isn’t as conducive or structured enough for the arts industry yet but let that not become the excuse to do a sloppy job. Work your butt off and become the best, you may have been unappreciated and treated wrongly but never let it break you but build you.

Your response to your situation determines how far you go in life. So don’t give up, this art will pay if you put in the work and you will never regret pursuing your passion.

This comes from a place of truth, we would never grow without it

Yours,

An artist

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The Adventures of Isys Drain: #danceGATHERING

The Adventures of Isys Drain: #danceGATHERING

 

Experiencing a day of art, outside of dance has forced me to put words to the journey that was #danceGATHERING

http:/isysdrain.wordpress.com/danceGATHERING
#danceGATHERING

I’ve always been a passionate dance enthusiast and my frustrations with the industry were deeply rooted in the myopia that ran deep in the artists, the insistence of maintaining a status quo that had obviously done more harm than good and the celebration of mediocrity hinged heavily on ignorance and the lack of exposure.

Chei, I’ve come with my grammar but it is the truth. The constant battle against this mentality relegated my interest in the dance industry to the background until I was fortunate and blessed to meet Qudus Onikeku, Nigeria’s foremost dance export and visionary. He has turned out to be more than a dancer and artist but a catalyst of change (not the Baba ‘Bu kind of change)

As I stated in a post I wrote on the ‘gram while I grappled with words to best express the impact of the festival,

‘You can’t grow a people within the four walls of your mind, you grow a people by creating a world they can see from the things they have refused to acknowledge’ – Isys Drain

Qudus has chosen to explore the growth option, using his platform and access as a spring board for the growth of the dance industry rather than self-grafitication. 

The Lagos Contemporary Dance festival, also known as #danceGATHERING, is a five day activation and celebration of dance, preceded by an intensive dance training program called danceLab which runs into the festival and lends pieces to the final dance exhibition at the end of the festival.

The festival went beyond training and opened up hotspots for artistic exchange all over Lagos through various events like CROSSINGS (a conversation between two artists with various means of expression) and dancingCities (a street dance performance by artists within the community of choice and guest performers) all of which formed the body of festival.

The road map we followed throughout the festival was enough to cause one to think outside the box. The line-up gave no room for old thoughts only possibilities.

Though the year’s theme was MO•[VE]•MENTS, I experienced it within the various kinds of human interaction and the visible effects it had on the parties involved, be it the teacher-student relationships between the guest instructors and the participants of danceLab, the somewhat silent partnerships between the artists of CROSSINGS or the message passed from performer to audience. 

Words truly do not do the festival justice. Stand out performances for me on the final days were ‘Fatou Tas Tout Fait’ by Fatoumata Bagayakou which addressed female circumcision with a haunting yet liberating appeal,  ‘Iwalewa’ a piece I had seen in snippets but was finally able to witness in its entirety and was brought to tears by (yes I’m a cry baby but it’s got to be good work to open the flood gates) and of course ‘Ijo Agba’ because the music of the piece brought back loads of memories and I found the fusion of indigenous music and urban Nigerian dance styles, rather amusing.

There’s so much to say and I honestly would like to go on but for fear of boring your socks off, I’ll stop here and say some experiences are best had in person than through the words of another, so brace yourself for #danceGATHERING 2018 so we can experience it together. For now check out danceGATHERING on Instagram, Facebook, twitter and qdancecentre.com for more details.

Chei, the English it haff finish. I’m out.